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Sometimes it derives additional humor from the recipient taking it as a genuine compliment, either because they're dumb or because we the audience know something they do not.
The stock piece of dialogue that fits this trope goes something like: Contrast Mathematician's Answer, which is equally meaningless because it's too broad, and Suspiciously Specific Denial, where the specificity is worrisome because of everything it doesn't cover.
Or I guess it is the handkerchief of the Lord, A scented gift and remembrancer designedly dropt, Bearing the owner's name someway in the corners, that we may see and remark, and say Whose?
Or I guess the grass is itself a child, the produced babe of the vegetation.
5 I believe in you my soul, the other I am must not abase itself to you, And you must not be abased to the other.
Loafe with me on the grass, loose the stop from your throat, Not words, not music or rhyme I want, not custom or lecture, not even the best, Only the lull I like, the hum of your valved voice.
Compare Overwhelming Exception, Trivially Obvious and Damned by Faint Praise.
See also Medal of Dishonor, which may be given out in cases like these. Done all of the time unironically in film advertising the week after a film opens at the box office.
Backward I see in my own days where I sweated through fog with linguists and contenders, I have no mockings or arguments, I witness and wait.
Film ads that week will try to claim their picture was "the #1 film in America!
" Anytime that isn't actually true, the ad will narrow the superlative down by genre, like "the #1 comedy in America!
Tenderly will I use you curling grass, It may be you transpire from the breasts of young men, It may be if I had known them I would have loved them, It may be you are from old people, or from offspring taken soon out of their mothers' laps, And here you are the mothers' laps.
This grass is very dark to be from the white heads of old mothers, Darker than the colorless beards of old men, Dark to come from under the faint red roofs of mouths.